{"id":240,"date":"2023-07-28T20:11:26","date_gmt":"2023-07-28T18:11:26","guid":{"rendered":"https:\/\/wein.inntal.net\/about-me\/"},"modified":"2025-12-21T18:50:33","modified_gmt":"2025-12-21T17:50:33","slug":"about-me","status":"publish","type":"page","link":"https:\/\/weinmayer.at\/en\/about-me\/","title":{"rendered":"About Me"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/weinmayer.at\/wp-content\/uploads\/2023\/07\/ueber_mich.jpg&#8221; title_text=&#8221;about_me&#8221; show_in_lightbox=&#8221;on&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; width=&#8221;200px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#FFFFFF&#8221; header_text_color=&#8221;#E02B20&#8243; width=&#8221;100%&#8221; custom_padding=&#8221;|||0px||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>&nbsp;<\/p>\n<h1><\/h1>\n<h1>BIOGRAPHY<\/h1>\n<ul>\n<li>Weinmayer Bernd<\/li>\n<li>born in Munich 1971<\/li>\n<li>1988 4 years vocational college for glass blowing in Kramsach<\/li>\n<li>1992-1994 further education in design, arts and crafts in the same vocational college<\/li>\n<li>since 1994 self-employed glassblower in Mariastein<\/li>\n<li>1997 Master craftsman\u2019s diploma<\/li>\n<li>2000-2015 Co chairman of the Austrian master examination commission for scientific glass<\/li>\n<li>married and proud father of Maximilian and Juli<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Weinmayer Bernd<\/p>\n<p>6324 Mariastein Nr. 53<\/p>\n<p>Austria\/Europe<\/p>\n<p>Tel: +43 \/ (0)5332 \/ 56957<\/p>\n<p>bernd@weinmayer.at<\/p>\n<p><a href=\"index.html\">www.weinmayer.at<\/a><\/p>\n<p><a href=\"http:\/\/www.weinmayer.com\/\">www.weinmayer.com<\/a><\/p>\n<p><a href=\"http:\/\/www.weinmayerlight.com\/\">www.weinmayerlight.com<\/a><\/p>\n<p><a href=\"http:\/\/www.taptube.eu\/\">www.taptube.eu<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Exhibitions<\/strong><\/p>\n<p>1997<\/p>\n<ul>\n<li>\u2018Tirolissimo\u2019 \u2013 winner in the category exhibition \u2019stand and design\u2019<\/li>\n<\/ul>\n<p>1999<\/p>\n<ul>\n<li>exhibition in the \u2019Zoologische Staatssammlung\u2019, Munich<\/li>\n<\/ul>\n<p>2000<\/p>\n<ul>\n<li>prize winner \u2019The Year of Young Glass\u2019 competition Cincinatti\/Ohio incl. exhibition catalogue<\/li>\n<\/ul>\n<p>2001<\/p>\n<ul>\n<li>exhibitions in Beaver Creek und Vail<\/li>\n<li>90 days working trip in Beaver Creek, Colorado, USA<\/li>\n<\/ul>\n<p>2002<\/p>\n<ul>\n<li>GAS Meeting in Amsterdam\/Netherlands<\/li>\n<\/ul>\n<p>2003<\/p>\n<ul>\n<li>GAS Meeting in Seattle\/USA<\/li>\n<li>trophies for the Red Bull event \u2018X-Fighters\u2019<\/li>\n<\/ul>\n<p>2005<\/p>\n<ul>\n<li>group project \u2018The Exquisite Corpse in Glass\u2019 Castellani Museum\/New York together with Santini, Stump, Townsend, Mickelsen, Owens, Lozar, Hyde, Fero, Buhler, incl. catalogue<\/li>\n<\/ul>\n<ul>\n<li>trophies for the Red Bull event \u2018Air Race\u2019<\/li>\n<\/ul>\n<p>2006<\/p>\n<ul>\n<li>soloshow \u2018Plasma Glass \u2013 Light in Motion\u2019 together with Ed Kirshner in the Glass Gallery Innsbruck, incl. exhibition-DVD<\/li>\n<\/ul>\n<ul>\n<li>special exhibition \u2019Fusions-Expo\u2019 Innsbruck<\/li>\n<li>Coburger glassprize incl. catalogue<\/li>\n<li>group exhibition \u201825 years MONA\u2019 Museum of Neon Art\/ Los Angeles<\/li>\n<\/ul>\n<p>2007<\/p>\n<ul>\n<li>New Glass Review 28 &#8211; jury prize<\/li>\n<li>prize winner development program \u2019Kreatives Handwerk Tirol\u2019<\/li>\n<li>exhibition \u2019M\u00fcll wird Kunst\u2019 Itter\/Austria<\/li>\n<li>special exhibition \u2019Unikate Wald\u2019 on the \u2019Wohnen und Interieur\u2019 fair in Vienna<\/li>\n<li>exhibition FAFGA, Innsbruck<\/li>\n<\/ul>\n<p>2008<\/p>\n<ul>\n<li>special exhibition plasmalight and purchase from the \u2018Technorama\u2019 museum Winterthur\/Switzerland<\/li>\n<li>exhibition \u2019Unterirdisches Zwiesel\u2019<\/li>\n<li>exhibition \u2018plasma light\u2019 Gallery Marschalek\/Vienna<\/li>\n<\/ul>\n<p>2009<\/p>\n<ul>\n<li>exhibition Gallery Salvenmoser\/Kitzb\u00fchel<\/li>\n<\/ul>\n<p>2009<\/p>\n<ul>\n<li>group exhibition \u2018under water\u2019, Glass Gallery Innsbruck<\/li>\n<li>Hot Glass Invitational\/Las Vegas<\/li>\n<\/ul>\n<p>2010<\/p>\n<ul>\n<li>group exhibition \u2018Das Glas, die Lampe und ich\u2019 in the Glass Museum Frauenau, together with Rittersw\u00fcrden, Zinner, Gutgesell, Liebold and Recknagel<\/li>\n<\/ul>\n<ul>\n<li>prize winner of \u2019Gletscherprise Glaspreis\u2019 in Zwiesel<\/li>\n<li>Etron Project \u2013 big doublewall plasmatube made for presentation of the new Audi Etron as an eyecatcher at the Carsalon Paris. It is shown after the world premiere of the first ever made neon tube from Georges Claude exact 100 years ealier at the some fair place. Further presentation places of the Etron Tube: Carsalon Shanghai and Detroit, since 2012 part of the permanent exhibition at the VW museum Wolfsburg\/Germany.<\/li>\n<\/ul>\n<p>2011<\/p>\n<ul>\n<li>1st place \u2018High Times Cup\u2018\/Amsterdam with \u201aRay Machine\u2018<\/li>\n<\/ul>\n<p>2012<\/p>\n<ul>\n<li>2nd place \u2018High Times Cup\u2018\/Toronto with \u201aRay Hammer\u2018<\/li>\n<li>1st place \u2018High Times Cup\u2018\/Amsterdam with \u201aDrill Bill\u2018<\/li>\n<li>jellyfish installation Hotel \u2018Thalasso\u2018\/Norderney<\/li>\n<\/ul>\n<p>2013<\/p>\n<ul>\n<li>3rd place \u2018High Times Cup\u2018\/Amsterdam with \u201aRay Pack\u2018<\/li>\n<li>Coburger glassprize incl. exhibition catalogue with \u2018Juli\u00b4s last moments in paradise\u2018<\/li>\n<li>fishinstallation Hotel \u201aGermania\u2018\/Norderney<\/li>\n<\/ul>\n<p>2013-2016<\/p>\n<ul>\n<li>restauration project \u2018Schneiderhof\u2018, our second flameworkshop with place for a future permaculture farming<\/li>\n<\/ul>\n<p>2015<\/p>\n<ul>\n<li>group exhibition \u2018enlightened glass\u2018, San Jose\/USA<\/li>\n<li>works for the exhibition \u2018Psychoprosa\u2018 from artist Thomas Feuerstein, Taxisgalerie Innsbruck and Frankfurter Kunstverein<\/li>\n<\/ul>\n<p>2016<\/p>\n<ul>\n<li>Exhibition invitational and lecture at the GAS (GlassArtSociety) meeting in Corning\/New York<\/li>\n<li>selected artist + coverpicture productcatalogue at the \u2018European Glassfestival\u2018 Breslau\/Poland, European Kulturhauptstadt 2016<\/li>\n<\/ul>\n<p>2017<\/p>\n<ul>\n<li>\u2018New Glass Review 38\u2018, selected artist, Corning\/New York<\/li>\n<li>group exhibition \u2018The \u2018Art Of Plasma\u2018, MONA\/Los Angeles<\/li>\n<li>group exhibition \u2018Glass And Life\u2018, Vitromusee Romont\/Switzerland<\/li>\n<li>group exhibition \u2018Austrian Glass Core\u2018, Biennale Venice<\/li>\n<li>Flame Off and premiere presentation of the \u2018TAPTUBE\u2018- the first beer tapping system in glass, \u2018Cultiva\u2018\/Vienna<\/li>\n<\/ul>\n<p>2018<\/p>\n<ul>\n<li>Group exhibition &#8220;Vetro Illuminato Show&#8221; during the GAS meeting in Murano<\/li>\n<li>Presentation of the &#8220;Inside&#8221; blood circulation sculpture in the Opera House of Nantes \/ France. Commissioned work for artist Daniel Firman<\/li>\n<li>Production &#8220;world&#8217;s largest plasma globe&#8221; for the Technorama Museum \/ Switzerland<\/li>\n<li>Group exhibition &#8220;Glanzlichter &#8211; Contemporary Glass from Austria&#8221;, Gallery of the City of Traun<\/li>\n<\/ul>\n<p>2019<\/p>\n<ul>\n<li>Kanazawa Glass Prize \/ Japan, selected artist, collab with Yoshinori Kondo, &#8220;Pattern Grail&#8221;<\/li>\n<li>Jellyfish installation in the mirror room, Technorama Museum, Winterthur \/ Switzerland<\/li>\n<li>&#8220;Face Mask&#8221; project, Iris van Herpen, Swarovski Store Vienna<\/li>\n<\/ul>\n<p>2020<\/p>\n<ul>\n<li>Group exhibition \u201cCrossing\u201d, Helmut <span>Nindl<\/span><span>,<\/span> Kramsach \/ Austria<\/li>\n<li><span>Solo exhibition &#8220;reset&#8221;, Glasgalerie Innsbruck<\/span><\/li>\n<\/ul>\n<ul>\n<li>museums purchase \u2018Corona Mutant I\u2018 Deutsches Medizinhistorisches Museum\/Ingolstadt<\/li>\n<\/ul>\n<p>2021<\/p>\n<ul>\n<li>part of the exhibition \u2018Currant Age\u2018-Studio Plastique, Z33, Hasselt\/Belgium<\/li>\n<\/ul>\n<p>2022<\/p>\n<ul>\n<li>plasma sculpture for Studio Plastique \u2013 Design Fest Ghent\/Belgium<\/li>\n<\/ul>\n<p>2023<\/p>\n<ul>\n<li>Museum purchase 100 liter plasma globe, Vorarlberger Museumswelt<\/li>\n<li>Museum purchase of plasma disks for the exhibition &#8220;Electricity and Magnets&#8221;, Technorama, Winterthur\/Switzerland<\/li>\n<li>Iris van Herpen &#8220;Sculpturing the Senses&#8221; with DIMENSIONISM glassdress, MAD\/Paris<\/li>\n<\/ul>\n<p>2024<\/p>\n<ul>\n<li>GAS Meeting in Berlin, Germany<\/li>\n<li>Iris van Herpen &#8220;Sculpturing the Senses&#8221; with DIMENSIONISM glassdress, QAGOMA\/Brisbane, Australia<\/li>\n<\/ul>\n<p>2025<\/p>\n<ul>\n<li>Iris van Herpen &#8220;Sculpturing the Senses&#8221; with DIMENSIONISM glassdress, ArtScience Museum, Singapore<\/li>\n<li>Iris van Herpen &#8220;Sculpturing the Senses&#8221; with DIMENSIONISM glassdress, Kunsthal Rotterdam, Niederlande<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Exhibition references from the collaboration with Martin Walde<\/strong><\/p>\n<p>2008<\/p>\n<ul>\n<li>\u201aHallucigenia &amp; more\u2019 Gallery Krinzinger\/Vienna<\/li>\n<li>Exhibition and museums purchase \u2018Hallucigenia\u2018 Ferdinandeum\/Innsbruck<\/li>\n<\/ul>\n<p>2009<\/p>\n<ul>\n<li>Exhibition and museums purchase \u2018Hallucigenia\u2018 ZKM\/Karlsruhe\/Germany<\/li>\n<li>\u201aArt Forum Berlin\u2018 with \u2018Hallucigania\u2018, Gallery Kinzinger\/Vienna<\/li>\n<\/ul>\n<p>2010<\/p>\n<ul>\n<li>Kunsthalle Kiel \u2018Hallucigenia\u2018<\/li>\n<li>premiere presentation \u2018Duft der verbl\u00fchenden Alpenrose\u2018 Gallery Krinzinger\/Vienna<\/li>\n<li>\u2018Art Forum Berlin\u2018 (Krinzinger)<\/li>\n<\/ul>\n<p>2011<\/p>\n<ul>\n<li>museums purchase \u2018Hallucigenia\u2018 Artcollection Belvedere\/Vienna<\/li>\n<li>museums purchase \u2018Duft der verbl\u00fchenden Alpenrose\u2018 Ferdinandeum\/Innsbruck more exhibition places \u2018Duft der verbl\u00fchenden Alpenrose\u2018:<\/li>\n<\/ul>\n<ul>\n<li>Art Rotterdam (Krinzinger)<\/li>\n<li>Frieze London (Krinzinger)<\/li>\n<\/ul>\n<p>2012<\/p>\n<ul>\n<li>premiere presentation \u2018Solvent Scale\u2019 Gallery Thoman\/Innsbruck more exhibition places \u2018Solvent Scale\u2019:<\/li>\n<\/ul>\n<ul>\n<li>Fiac Paris (Krinzinger)<\/li>\n<li>Art Cologne (Thoman)<\/li>\n<li>Sofa New York (Krinzinger)<\/li>\n<li>Art Brussels (Krinzinger)<\/li>\n<li>Art Basel (Krinzinger)<\/li>\n<li>Frieze London (Krinzinger)<\/li>\n<\/ul>\n<p>2014<\/p>\n<ul>\n<li> \u201eThe Phantastic 4,4444\u201c Heldart, Berlin, Germany<\/li>\n<\/ul>\n<p>2015<\/p>\n<ul>\n<li>\u201eThe Liquid And The Magic\u201c Stadtgalerie Saarbr\u00fccken, Germany<\/li>\n<\/ul>\n<p>2016<\/p>\n<ul>\n<li>&#8220;How to Picture Living Systems&#8221; The KLI Institute, Klosterneuburg, Austria<\/li>\n<\/ul>\n<p>2020<\/p>\n<ul>\n<li>&#8220;Solvent Scale&#8221;, Marta Herford \/ Germany<\/li>\n<\/ul>\n<p>2019<\/p>\n<ul>\n<li>&#8220;They Are Uttered and Unfinished&#8221;, Borusan Contemporary, Emirgan, Istanbul, Turkey<\/li>\n<\/ul>\n<p>2020<\/p>\n<ul>\n<li><strong>&#8220;<\/strong>Just in case you have forgotten&#8221;, Krinzinger Projekte, Vienna, Austria<\/li>\n<li><strong>&#8220;<\/strong>Glass and Concrete. Manifestations of the Impossible2&#8243;, Herford, Germany <\/li>\n<\/ul>\n<p><span>2021<\/span><span><\/span><\/p>\n<ul>\n<li>\u201eHallucigenia #23\u201c Joanneum\/Graz, Austria<\/li>\n<li>\u201eVerf\u00fchrung Licht\u201c, Staatliches Museum Schwerin, Schwerin, Germany<\/li>\n<li>\u201cFacts from Fiction &#8211; Fiction from Facts\u201d, Neue Galerie Graz, Austria<\/li>\n<\/ul>\n<p>2022<\/p>\n<ul>\n<li>&#8220;The Beauty of Early Life&#8221; ZKM\/Karlsruhe, Germany<\/li>\n<li>&#8220;Martin Walde&#8221;, Galerie Freihausgasse \/ Galerie der Stadt Villach, Austria<\/li>\n<\/ul>\n<p>2023<\/p>\n<ul>\n<li><strong>&#8220;<\/strong>GLASSHOUSE&#8221;, Kunstverein KISS, Untergr\u00f6ningen, Germany<\/li>\n<\/ul>\n<p>2024<\/p>\n<ul>\n<li>\u201eLIGHT SOUND SENSES\u201c, Heidi Horten Collection, Vienna, Austria<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><u>Ideas protected by patent:<\/u><\/p>\n<p>&#8220;Encased process of colored glass stems for drinking glasses&#8221; &#8211; Pat.No. AT 405 930 B<\/p>\n<p>&#8220;Tubular or rod-shaped laminated glass element&#8221; &#8211; Pat.no. 20 2007 010 429.4<\/p>\n<p>&#8220;Plasma Shells&#8221; &#8211; Pat.no. 668157-0001-0003<\/p>\n<p> &#8220;Glass beer dispensing system&#8221; &#8211; Pat.no. 4707040\/0001-0005<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; BIOGRAPHY Weinmayer Bernd born in Munich 1971 1988 4 years vocational college for glass blowing in Kramsach 1992-1994 further education in design, arts and crafts in the same vocational college since 1994 self-employed glassblower in Mariastein 1997 Master craftsman\u2019s diploma 2000-2015 Co chairman of the Austrian master examination commission for scientific glass married and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-240","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/weinmayer.at\/en\/wp-json\/wp\/v2\/pages\/240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/weinmayer.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/weinmayer.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/weinmayer.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/weinmayer.at\/en\/wp-json\/wp\/v2\/comments?post=240"}],"version-history":[{"count":16,"href":"https:\/\/weinmayer.at\/en\/wp-json\/wp\/v2\/pages\/240\/revisions"}],"predecessor-version":[{"id":3990,"href":"https:\/\/weinmayer.at\/en\/wp-json\/wp\/v2\/pages\/240\/revisions\/3990"}],"wp:attachment":[{"href":"https:\/\/weinmayer.at\/en\/wp-json\/wp\/v2\/media?parent=240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}